Lost In Space 3 Review: Leaving Us As Always With Bated Breath A Warm Farewell In The Easiest Way
Director: Frederick E.O. Toye
Starring: Molly Parker, Toby Stephens, Maxwell Jenkins
Streaming Platform: Netflix (click to watch)
Filmyhype Ratings: 3/5 (three star) [yasr_overall_rating size=”large”]
Lost In Space 3 Review: The third and final season of Lost in Space 3 does not stop focusing on the importance of family, once again directing attention to the Robinsons who, at the beginning of this new adventure, are still separated and unaware of what destiny is for them. has mutually reserved. Conceived by Matt Sazama and Burk Sharpless, the remake series of the homonymous success of the 70s does not stop surprising and amusing us, proposing a scheme without novelty to which, however, the fans seem to have become fond. The protagonists of the sci-fi Netflix so they come back exactly in the shoes in which we left them, full of all their irony, cunning, resourcefulness and courage, in a general picture that is pleasant to admire again but which is hardly able to give a swerve of novelty, proposing intercom twists and somewhat predictable returns. However, isn’t this what we expected? Return to our space family again, with all the stylistic certainties and existential uncertainties of the case!
Lost In Space 3 Review: The Story
The plot of Lost in Space Season 3 takes us to a mysterious oceanic planet where just under a hundred kids are busy trying to repair the spaceship and leave for Alpha Centauri. The initial prospect is certainly not the happiest: the three Robinson brothers are less cohesive than expected, each immersed in the problems to be solved and bored by private questions that they struggle to expose. The series does not miss a little surprise, showing us the return of one of the most devious characters of the series, who in these new episodes tries as always to recover some points.
The fulcrum of everything, in any case, is always represented by the young Will (Maxwell Jenkins) that we find physically older and more mature, overburdened with commitments and responsibilities and totally immersed in a vortex of personal concerns that imply the very restart of the Jupiter. The absence of parents, John (Toby Stephens) and Maureen (Molly Parker) , who act as glue not only for the Robinson family but also for the entire community, certainly doesn’t help. The creators prove to be good, in this, to show in parallel the situation in which the adult colonizers find themselves, certainly much more precarious and dangerous, since they have to face robots every day, to that in which the younger ones find themselves.
Lost In Space 3 Review and Analysis
A difference that cinematography, costumes and set design certainly highlight, alternating war movie settings (complete with camouflage cloaks) with locations that are almost heavenly at times. Ridley Scott lovers, on the subject of this last point, will not be able to help but notice some similarities with Prometheus. These are, of course, only small winks that can be as pleasing as reclaiming the idea of ”already seen”, but which in any case do not disturb the dynamics of a series that, rather than investigating the great themes of life, seeks always to focus on human values, responsibilities, a sense of friendship, family and human community.
It does so by focusing on an excellent characterization of the characters and on an impeccable stage and sound sector, finally putting us (albeit briefly) in front of a real threat, which leaves the door open to the vast encyclopedia about the nature of robots. From a technical point of view, then, this Lost in Space 3 does not stop alternating static shots with those in the style of found footage performed by little Will: documenter of alien worlds and secrets.
The Final Words
Lost in Space 3 proves to be pleasant, leaving us as always with bated breath about the fate of the Robinsons. Lost in Space Season 3 is a warm farewell in the easiest way. It doesn’t go away a bitter style within the ending and offers the fans a conclusive goodbye. That’s what audiences all the time need—one thing to carry on to.
