Centauro Review: Simple And Efficient, The Film Works As A Remake With A Different Setting

Starring: Àlex Monner, Begoña Vargas, Carlos Bardem

Director: Daniel Calparsoro

Streaming Platform: Netflix (click to watch)

Filmyhype.com Ratings: 3/5 (three stars) [yasr_overall_rating size=”large”]

Centauro Netflix Spanish Action Fast-Paced The story of Rafa, a superbike racer who becomes a drug racer for the Mafia. Netflix hosts the premiere of Centauro, the new film directed by Daniel Calparsoro. This is the remake of Burn Out and is available from June 15. The prolific Daniel Calparsoro has commissioned Centauro, the Spanish remake of Burn Out, the film directed by Yann Gozlan that you also have available on Netflix. Both films are adaptations of the novel by Jérémie Guez “Dans les cordes”, an author who also stands out as a screenwriter and was in charge of the script for films such as Black Box or Blood Brothers.

Centauro Review: The Story

The story focuses on racing with a racer motorcycle called a superbike in which the protagonist is a racer in the field who is about to enter the race for the big team. But at that moment, his wife who parted ways was chased by drug dealers for taking the pills and then being stolen causing the protagonist to stand up and help to hope to be reconciled with his wife to be one family again The condition of the mafia is that he is a courier for the gang in 2 months to pay off the debt. But according to the formula that this industry is not easy to enter and exit. Make the story of a racer turn into an avalanche of drug gangs, clear debts, and close accounts.

The racing scene in this story is both on the track and on the highway, the field is a plot that only adds to the story. Which has a slightly reversed storyline that the protagonist is competing for the real one in a team that has only the younger generation? He couldn’t get along with them until it was a small problem that may prevent him from being selected for the team. But this part has little significance to the story at all being presented floating, seeing it in person and passing by, the racing scene on the field was nothing interesting at all. Except for the opening episode which may look good, most of these scenes focus on the music for the emotional build rather than the scary scenes that should have but there was no one at all.

Centauro introduces us to Rafa, a separated man with a son who is going through many difficulties: he has to combine his work unloading containers at a dock with the competitive world of motorcycle racing. One day, a golden opportunity presents itself to her: access to a team in which she could develop the dream of her life but, at the same time, her ex-partner incurs a debt with some drug traffickers that could ruin her forever. Against the ropes and risking everything along the way, Rafa has no choice but to put his talent as a motorcyclist at the service of the criminal organization, serving as a courier to settle the accounts. He will have to perform the selection tests during the day and avoid the police controls that lie in wait for him in each distribution at night.

Centauro Review And Analysis

Centauro’s argument is simple and doesn’t require too many flourishes for us to put ourselves in the shoes of a guy who is cornered. We soon see him making questionable decisions to live up to what is required of him until he has to go off on a tangent and improvise to break a dynamic that has him doomed. What stands out most about the film is its urban aspect: from the direction, there is a firm commitment to put speed into our bodies with vertiginous chases, a lot of night shot that takes advantage of neons and backlights, and above all tons of adrenaline.

No shortage of aerial shots shows us the knots of the ring roads, which serve as a metaphor for the mess Rafa is getting into. One of the most inspired sequences is a kind of improvised motocross circuit in the middle of an independence revolt in which riot police charge against an angry crowd. Our protagonist has to cross a street packed with people on the warpath, flames, barricades, and all kinds of obstacles. Special and obligatory mention to the team of specialists who make all this believable and brilliant, with quite stellar moments.

As for the highway racing scene to deliver drugs, this one looks a bit better because it’s the main storyline. The protagonist has to prove from a normal car to a professional race car from the gang with the highway patrol trapping and chasing, but overall it’s like a purely solo hero scene. Do not consider the police to be a competitor at all. There is also a scene in the middle of a protester’s mob that is followed by being chased by another drug cartel. Then there is a racing scene in a narrow warehouse. with a racing scene at the end of the story a bit Which does not have any scenes that are fun or create anything new at all. But as a capital movie, Netflix is ​​understandable because there is no budget.

Indeed, the film does not seek to delve into any social issue, beyond the obvious denunciation of the precarious working conditions of the protagonist, the social inequalities that make falling into the clutches of drug traffickers relatively easy, or the lack of scruples of the street gangs. All this is exposed without morality and too many complications, almost as a framework for action. The key is everything is conceived from that perspective: that of the street, where the most humble try to do things right, but they are so close to the abyss that it is almost rare not to see them fall into it.

The soundtrack is in line with this idea, with the collaboration of Carlos Jean and the occasional video clip moment. Regarding the performances, Àlex Monner is the one who bears most of the dramatic weight of the film. Begoña Vargas (Welcome to Eden) is somewhat wasted in a role in which she has little chance to shine and stand out as secondary Patricia Vico, Carlos Bardem, Adrián Garín, and Édgar Vittorino, whom you will remember for her role in Vis a vis. Pedro Casablanca, who has recently become the pepper of all sauces, has a very brief appearance at the end of Centauro. He is an actor who always likes to see on screen, so we are not going to complain about it.

Centauro Review: The Last Words

In short, it is a film that can be seen, gives what it promises, and also manages to leave a less bitter ending than is usual in this genre. Simple and efficient, the film works as a remake with a different setting but a similar plot to the original. Calparsoro once again displays its ability to dazzle the public with a story in which resources are optimized. The unstoppable rhythm of the narrative the chase sequences and the outcome are more luminous than on other occasions.