Moon Knight: 5 Reasons To See The Marvel Tv Series Five Elements That Can Attract Fans
Moon Knight is the new Marvel Studios series that brings for the first time, within the Marvel Cinematic Universe, one of the most absurd and problematic characters of the comics of The House of Ideas. An out-of-the-box figure suffering from a truly disabling psychic problem (dissociative identity disorder) and who draws his superhero potential from the Egyptian god of the moon Khonshu, who gives him incredible abilities. A work that therefore, if on the one hand it appeals to the classic stylistic features that we have already had the opportunity to see in other products of the same universe, adds interesting new elements that could really change the general approach of Marvel titles on the small screen.
Moon Knight: 5 Reasons To See The Marvel Tv Series
Moon Knight, in fact, examines the psychology of a protagonist as never before, not only investigating his external frailties, but probing his most hidden fears and obsessions. If we add to this the involvement of first-rate actors of the star system and the development of a narrative context that at first glance seems far from the usual, here is that the realization has all the credentials to capture the attention not only of the usual Marvel fans, but also spectators who are usually far from these shores. Let’s find out together, with some SPOILERS, what are the 5 reasons to see the product designed by Jeremy Slater (The Lazarus Effect, The Umbrella Academy) and directed by Beau DeMayo (The Witcher, The Originals).
1. Oscar Isaac and Ethan Hawke
We have already mentioned that Moon Knight has a noteworthy cast and although the supporting actors involved have a lot of character (a special mention goes to the voice of Khonshu, F. Murray Abraham), those who stand out are the protagonist and antagonist. Oscar Isaac, who recently picked up extraordinary stakes on the big (Dune, The Card Collector) and small screen (Scenes from a Wedding), is finally making his debut in the Marvel Cinematic Universe and doing it with boundless class and talent.
Only a great actor like him is able to interpret superlatively distinct personalities, without being forced or spotted. A character, therefore, who seems perfectly calibrated for the star who clearly chose this project with great care. Ethan Hawke, on the other hand, who lends his face to the terrifying and mellifluous Arthur Harrow, seems to have painted, already in the first episodes, an extraordinary and genuinely charismatic villain. A villain with a particular potential that we will hardly forget.
2. Mythology And Superheroes
While it is true that with Kenneth Branagh ‘s Thor (2011) we heard about mythology in the Marvel Cinematic Universe right away, it is equally true that, apart from the Norse pantheon, we never had the opportunity to explore other deities. With Moon Knight (probably in preparation for Thor: Love and Thunder where Zeus will appear) we begin to know the Egyptian gods according to Marvel Studios and we announce that the result is fascinating as well as successful.
In the opening episodes we get to know a lot of the background of the series, not only by discovering the first divinities with whom we will interact during the work, but also by tracing aspects more related to religion and spirituality, which have a very important function in the economy of the history. An excellent opportunity, therefore, to brush up on ancient Egyptian mythology manuals and review some films on the subject, so as to let yourself be carried away by the desert wind and the charm of supernatural power.
3. An Effective Mix Of Genres
Starting with WandaVision, which represents the MCU’s new serial course, we realized that Marvel Studios likes to hybridize genres and even Moon Knight is no exception. However, if the other reference shows had a superhero side that somehow got the better of experimentation, in the case of the series with Oscar Isaac, it seems that everything is more about innovation.
The initial episodes, although touched by the universe of La Casa delle Idee, are permeated, in equal measure, with investigative fascinations, mystery, thrillers and horror, managing on the one hand to keep the attention of users who absolutely want to know more. , on the other hand by cleverly proposing a product that can meet not only the tastes of diehard superhero fans, but also the occasional spectator who wants to approach this world on tiptoe.
4. An Independent Piece Of The Marvel Cinematic Universe
The speech of the previous paragraph must also be read from the Marvel Cinematic Universe perspective and, precisely by virtue of our reflections on the varied and well-hybridized content, we can reach the conclusion that for now there is little of Kevin Feige ‘s design plan and not because not actually part of it, but because it is an independent rib compared to the usual one.
It is no coincidence that both Oscar Isaac and Ethan Hawke have repeatedly reiterated that they have chosen the project because it is different from the others and this characteristic is potentially the riskiest, but also the most ambitious element of the show. By managing to calibrate the relationship with the MCU well (without having to forcibly wink at fans), Moon Knight can represent a serial unicum of Marvel Studios: only WandaVision, so far, has perhaps managed in part to emancipate itself from parent company and venture beyond the usual comics language of the company.
5. The Dark Side Of A Hero
The show revolves around a frail and problematic hero, fighting first with himself and then, later, with the dangerous leader of a sect. During these years of superheroes we have had the opportunity to know the depth of some characters, but never properly analyzed what they have inside, at least not from a psychological point of view. Moon Knight is an opportunity to change things and, once again, represent an exclusive model to be taken into consideration also in the future.
We realize it, within the series, because even if the superhero theme is part of the story, what intrigues most of the work is the development of the protagonist and his characterization always in constant evolution, in the balance, like the balance of Egyptian psychostasia, between good and evil, darkness and light. The tragic and dysfunctional existence of a character continues to be the fundamental pivot that characterizes the success of many cinema and serial titles.
