Here Movie Ending Explained: What Happens to Richard and Margaret? What does the Hummingbird Symbolize?

Here Movie Ending Explained: Directed by Robert Zemeckis and with protagonists Tom Hanks, Robin Wright, Paul Bettany, and Kelly Reilly Here Movie is a profound and delicate reflection on human life, on its nuances, its changes, and the permanence of certain feelings through the ages. The film starts from prehistory: it begins with the meeting of a Native American man and woman in a remote corner of the Earth and reaches the present day, exploring several generations that inhabit the same house, located at that same point which never changes, despite the time that flows. Zemeckis’ idea, as well as narrative development, is clear: the house, his living room, become witnesses to an infinite number of human stories that intertwine and follow one another over the centuries, while remaining immutable, almost untouchable. At the center, are love, pain, loss, and the continuous search for a balance between past and future. Only at the end, the camera move, a sign that something important has been accomplished. But how do you get to this final movement and what does it represent? Let’s find out together in our explanation of Here’s Ending…

Here 2024 Movie Robert Zemeckis
Here 2024 Movie Robert Zemeckis (Image Credit: Amazon MGM Studios)

Here Movie Ending Explained: What Happens to Richard and Margaret?

In the outcome of Here, Richard and Margaret, already elderly, return to the house where they shared much of their lives. This return occurs as Richard prepares to sell it, marking the end of a cycle. Margaret, who is dealing with memory loss probably linked to Alzheimer’s, struggles to remember key moments lived in that space. With Richard’s help, he manages to relive fragments of his memories, allowing them to share a moment of tenderness before saying goodbye to the home that defined them. The film concludes with a camera movement that breaks the static perspective maintained throughout the film, focusing on Margaret’s palpable emotion. This change in framing symbolizes the impact of memories and the emotional connection that unites the generations that inhabited that place.

What Does the Hummingbird Symbolize in “Here?

The hummingbird, which appears at various times within the film, acts as a symbol of continuity and resilience of nature in the face of the passage of time. From the prehistoric era to the present, this little being encapsulates the idea that life goes on, even as individuals and generations pass. The hummingbird reinforces one of Here’s central messages: life is ephemeral, but it is full of significant moments that transcend time.

The Legacy of Families in “Here”

Throughout the film, various families that inhabit the house in different historical periods are presented, all facing their challenges:

  • The Native American Family: It inhabits the earth before colonization, showing a deep connection with nature.
  • The Harter(early 20th century): They live the ravages of the flu pandemic and leave home after John’s death.
  • The Beekmans: A modern couple that enjoys the advances of the time, including the success of its innovative design of reclining chairs.
  • The Young: Divided into two generations, Al and Rose represent worn-out love, while Richard and Margaret deal with personal sacrifices and late reconciliations.
  • The Harris: The contemporary family that acquires the house, acting as a modern contrast with past generations.
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The Meaning of “Here Title”

Here is a tribute to the transience of life and the permanence of human emotions. Although each generation lives and dies, memories, objects, and experiences create a symbolic bridge between them. Margaret, who initially wanted to leave the house, admits at the end that she loves her, encapsulating the message that the moments lived, however brief they may be, have a lasting impact. With an ending that balances bittersweet and hopeful, the film reminds us that although individual lives end, emotional ties and the cycle of nature endure. The hummingbird in the final scene serves as a reminder that life goes on, even after the loss.

The House as a Witness of Time!

The film, although devoid of a linear plot, builds a complex fresco of emotions, and lives that intertwine and evolve over the millennia. From a narrative point of view, the fulcrum is located in a very specific corner, in a place that becomes the beating heart of all stories: here, in that house that changes shape continuously, countless families and characters follow one another. Among these, the main protagonists stand out, Richard and Margaret Young, who over the years see the change in their lives, but also the evolution of the concept of home and family. Each generation is the result of the previous one, a continuous reference that crosses the history of the United States and the whole world. Above all, a reflection on the weight of the past and on the time that passes inexorably.

How Does Here End? The Final Movement of the Chamber

The most significant and evocative aspect of Here’s ending is certainly represented by the movement of the camera, which, until then, had remained motionless, anchored to a fixed point inside the house. This initial immobility, almost like a metaphor for the stability and rigidity of the past, creates a feeling of static nature that accompanies the viewer along the vision, reflecting on the daily routine and the permanence of objects and environments. The camera, which has remained strictly on a static plane for the duration of the film, moves significantly for the first time when Richard, now an elder, decides to bring his wife Margaret, who suffers from Alzheimer’s to the house where they had spent most of their lives together. The scene marks a turning point, in which the past and the present intertwine, and immobility gives way to a movement that seems to want to discover, or rather, reveal, something deeper.

At this crucial moment, through a sort of flashback or summons, Margaret manages to find a fragment of herself, a memory that suddenly emerges from the past. It is an exciting moment, in which her mind, although marked by illness, seems to awaken and recognize the house again as a place that belongs to her. Her memory, although fragmented, regains a glimmer of clarity, and the house, which for her represented a shared lifetime, becomes a tangible symbol of her past, an emotional refuge that once again manages to make her reconnect with her identity. This act of emotional awakening, fragile yet full of meaning, finds its culmination in the powerful image of the camera which, for the first time in the film, moves outside, leaving the boundaries of the house. This movement towards the outside is not only a physical change of perspective but a sort of homage to memory and its evanescent nature, as well as the fragility of human life, which despite its difficulties and its continuous flow, leaves behind traces that intertwine over time. The movement of the camera, therefore, is charged with a deeper meaning: it is the transition from the closure of Margaret’s inner world to the vastness of an external world that continues to exist, going beyond the intimate dimension of the house, but always linked to it through memories and memory.

The Meaning of the Ending: Life is a Cycle

The reflection on time and memory that the film suggests through its final movement is imbued with a symbolic depth that invites us to consider the transience of life. The house, while remaining unchanged in its physical appearance, witnesses all the cycles that mark human existence, enclosing in its walls the stories and events of those who have inhabited it. The disappearance of Richard and Margaret, with their difficulties and their love, is reflected in every generation that has gone through that living room, creating a sort of invisible continuity that transcends time. In this sense, Here’s ending invites us to reflect on what’s left when it’s all gone, leading us to consider the concept of memory: it is never statically firm, but, just like the house, it intertwines and overlaps, while remaining firmly linked to the continuous movement of time that never stops.

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At the same time, the change in perspective that the camera offers us when it allows us to see the world beyond the house symbolically represents the concept of continuity of life: despite death and pain, life continues and the cycle of existence is renewed. This visual transition is not only a cinematographic device, but an interpretation of the human condition, which makes us understand that life never stops, even when the individuals who lived it disappear. The little hummingbird, which appears in the finale, and which had already been present in the early stages of the film, thus becomes the tangible symbol of the perpetuity of life, a cycle that is constantly renewed, without ever stopping, just like the flow of time.

American History and Humanity

Through the story of Richard and Margaret, Zemeckis invites us to reflect also on the meaning of the house as a symbol of the identity and historical memory of a nation. Here’s House becomes a microcosm that reflects the change in American society, from its most primitive origins, passing through the colonial period, the Civil War, up to the last century and today. It is an invitation to consider how every life is, after all, an answer to what happened before, but also a challenge to how to face what will come.

The Explanation of the Ending!

However, each family is linked and opposed to the main one, according to Richard and Margaret Young; Native Americans live in contact with nature and their love is as pure as the space around them, far from material goods, instead the main goal for the Young; then there is an illegitimate child of Benjamin Franklin, in conflict with his father, inserted in real life as Richard’s father has been with his mind for years still in wartime. The family at the beginning of the 20th century is chasing their dreams against any other obligation, passing through a free and passionate relationship, fresh from the new American entrepreneurship, far from being disappointed by life, as Richard will be in Margaret; then arriving at the most modern family, made of stability and interest for the most current and delicate issues, and that most contrasts and what will be the marriage between Richard and Margaret. The storyline is therefore about how each generation is the result of everything that has happened previously. In particular, the baby boomers, the watershed generation of the century, which recovered after a crisis, then gave life to another, the maximum point of material well-being that has been tried to achieve in past years. Remembering, too late, that emotions have always regulated people’s lives.

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The characters of Here Movie are somehow connected through generations: they love, suffer, and doubt where other people years before and many other years later, will love, suffer, and doubt. The world is in Here seen as a set of internal connections with the past, how life can always go on, and how everything continues to turn and live even when thousands of existences have ended. Nobody in Here may have an idea of what happened in that same house, in that same place or what will happen next. But we see it and if Zemeckis has achieved its goal, there is something more besides the room that binds all the characters in the film. Life, with all its joys and sorrows, at the end of Here Movie, must be lived intensely, at best, because, however long it may last, they are fleeting, very fast moments: they last a moment in comparison with the centuries and eras that have followed one another over time, since the time of the dinosaurs, as it shows Here, until today.

The lives that end in the film will then be those people, those experiences, those memories, and those teachings that will be part of the lives of tomorrow. Here Movie is, in essence, a story, a reflection on the passing of time and the importance of some moments, both those objectively fundamental, in which you choose, and those of everyday life, which may appear to be one of many, but which then prove salient, more important than you could have ever thought. All are equally worthy of being lived and shown. The only difference, in a theme that may appear banal and already seen, lies in saying all this through dozens of lives, hundreds of years, over the centuries where everything is seen to change. In nature that resists the passage of man, as evidenced by the hummingbird that we see flying in all ages, symbol of an imaginary bridge that connects past and future. And that one day could teach you to focus on the present: Here and now.

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