Emily in Paris Season 3 Review: The Characteristics of A Guilty Pleasure With Lily Collins And Available On Netflix

Cast: Lily Collins, Philippine Leroy-Beaulieu, Lucas Bravo, Ashley Park, Camille Razat, Samuel Arnold, Bruno Gouery and Lucien Laviscount

Creator: Darren Star

Streaming Platform: Netflix

Filmyhype.com Ratings: 3.5/5 (three and a half stars) [yasr_overall_rating size=”large”]

One of the most loved and discussed series of recent years, created by Darren Star, famous for being the creator of Sex and the City, is finally back. As we will see in this review of Emily in Paris Season 3, the story picks up where it left off: we will discover the changes that have occurred in this new season and we will analyze all those stereotypes that have always been the sore point of the series and that still weight our judgment. Emily in Paris is like the famous French pain au chocolat: a cuddle you can’t do without even if it can sometimes be difficult to digest.

Emily in Paris Season 3 Review

Paris or Chicago? Madeline or Sylvie? Gabriel or Alfie? These are the questions with which the second season of Emily in Paris ended, and which are destined to open the third. In essence, therefore, the public was left in suspense waiting to understand what steps the little decision-maker Emily would have taken to change her existence. Without revealing too much, let’s make it clear that nothing will happen easily, in perfect Cooper style, except for one detail: a small change of look.

Emily in Paris Season 3 Review: The Story

Despite feeling at odds with herself, Emily has made her first big decision: to stay in Paris to work with Sylvie. After many months spent in the city and next to her workmates, she feels she has built a whole new existence here by opening an unexpected chapter of her life. So, the little American girl seems to have finally found her place in the world. On the other hand, she could never give up her days with Mindy, to share working hours with Luc and Julien. Even the distant Sylvie has won an important place in her affections. Not to mention Gabriel, who continues to be still an open chapter.

Thus, after a momentary uncertainty, in which he is unable to reveal the truth to Madeline, he refuses to return to Chicago with her, finally clarifying an aspect of his life. For everything else, however, he still travels within a fog which, depending on the different situations, thickens or thins out. The biggest problems come from love life, of course. On the one hand, Alfie seems to be the ideal solution to forget the impossible love with Gabriel. On the other hand, however, Emily fails to fully commit to this relationship. Although he is back with Camille Gabriel continues to have an important role in her.

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A feeling that is mutual although appearances can tell a different story. Luckily Mindy is always next to her, ready to give her the courage that often fails her. And, when you least expect it, here comes the plot twist, the twist in which Emily’s life takes a new turn. But, to understand her well, she will have to wait longer.

Emily in Paris Season 3 Review and Analysis

Emily in Paris has reached its third season with a quick and determined step. Indeed, this little story, based essentially on the charm of a city like Paris, on fashion, and, above all, on a very American concept of European romanticism, has been one of Netflix’s most important successes. To date, it is still one of the most viewed titles among those on the platform. But what are the reasons for this so evident success? The third season represents the right time to pull the strings of this speech.

After having had the time to develop the personality of the protagonist like that of her adventure companions, it is possible to create a sort of identity card for the project created by Darren Star, starting from one of the criticisms addressed to this product since the first season and accentuated in the second. According to some, Emily in Paris offers an essentially superficial narrative and is completely detached from current reality. It is a true concept but it not necessarily constitutes a problem. It would be if the series had different ambitions but, since it is essentially a story with romantic notes, this should in no way be perceived as a diminutio.

The events involving Emily are intended to lead into a parallel, almost magical universe where it is possible to lighten up and face the vision with a light heart. This a feature that is not abandoned in the third season even if it is decided to focus on a sense of greater responsibility in the attitude of the protagonists. On the other hand, growing up and making decisions also involves this. Despite this, however, the tone used continues to be deliberately light while the concepts of glamor and fashion take on a different meaning. Perhaps because we are now accustomed to Emily’s enviable outfits, their use is less blatant and more functional in outlining the personality of a young woman who is growing up learning the meaning of belonging, honesty and transparency. Three fundamental concepts that are gutted right in the first episodes of this third season. Because it is known that often the most important things are said with a smile.

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Emily in Paris 3

Compared to the previous two seasons, the third one records a more balanced distribution of the narrative axis between the three main female figures. This means that, although she is the protagonist of the series and the narrator, Emily also gives way to her co-stars. Specifically, Mindy and Camille follow narrative paths dedicated to them, parallel roads that do not necessarily intertwine with each other or must be communicating in some way. In particular, Ashley Park conquers more and more space who, thanks to her unscrupulous and a little crazy Mindy, enriches the story with musical numbers inserted in each episode.

In addition to this, then, the events that involve her towards the end of the season prepare the way for further evolutions that we will see, without any doubt, in the fourth. For Camille by Camille Razat, on the other hand, a double path was designed: one in the light of the sun and one hidden. To everyone except Emily, of course. This essentially means that the character is involved in an unexpected evolution which opens a new narrative window for her. Despite everything, however, one gets the feeling that this innovative path has not been completed to the end, leaving a lot pending and so much more to be said. Probably, given the suspenseful epilogue, it will be widely resumed later.

And finally here is Emily who, with all the loveliness and grace of Lily Collins, comes to terms with being part of the adult world. As already mentioned the conflicts and difficulties that she is destined to face this time are less frivolous in nature but bring into play beliefs, human relationships, and the very concept of respect. That doesn’t mean, though, that Emily is losing her cool. On the contrary, she remains endowed with the innate ability to interpret the reality that surrounds her with simple schemes, using a personal practical sense to deconstruct and simplify. Characteristics certainly do not define a superficial personality but can lighten, finding pragmatic solutions for her dreams. Then that we are not always right, this is a whole other matter.

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In this season where the male figures are not in hiding but take on a secondary role, the character of Sylvie deserves a separate discussion. Presented as her anti-Cooper par excellence, a symbol of an elegantly unscrupulous and lived-in femininity, step by step she is losing her initial hardness to acquire more and more of her own and, above all, shareable dimension. Thus, within a series where the protagonists barely reach the age of thirty, the character played by Philippine Leroy-Beaulieu tells of a different period and world. In fact, in the background of this woman, there is a vital and unleashed girl who, to better manage important occasions, has decided to hide all this under the guise of an impeccable style and an icy character with biting humour.

All these characteristics have made her the perfect nemesis for the young and overly enthusiastic Emily. Sylvie’s functionality is to stimulate constant growth in her, dealing with an environment that does not seem to be so empathic. This task, however, is now completed. At least that’s what we’re told with the end of season two and the start of season three. This is a significant detail that allows Sylvie’s character to express all of her potentials.

Emily in Paris Season 3

For this reason, therefore, in this new chapter, she manages to conquer more and more space by presenting the image of an all-around woman where pride and self-respect merge with an unexpected sense of correctness and a need for love that surprises. A portrait which, despite all the criticisms that some may address to the series, is anything but superficial and dissociated from reality. Indeed, Sylvie bears a striking resemblance to many mature women who, to obtain the respect they deserve from a professional point of view, have had to compromise with the most fragile aspects of their nature. And if this isn’t reality, we don’t know what else could be.

Emily in Paris Season 3 Review: The Last Words

Emily in Paris Season 3 continues with a protagonist who becomes more “French”. A fresh and sparkling season that must be seen for what it is: a pleasant pastime. More space is given to the fashion sector and the secondary characters are better defined than in previous seasons, giving greater balance to the narration of the episodes. Past stereotypes, however, consolidate. After dissolving some doubts left open in the second season, Emily in Paris Season 3 offers a more adult vision of all the protagonists, while maintaining the light and light tone that has always characterized the narrative. The feeling, however, is that she is faced with a passing chapter, destined to lead towards a fourth date destined to amaze.

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